2016 is the year of
inclusion. Meaning Roger and I are
working to include our selves in more activities, ergo being a part of the greater community. We always go to Winter Folk Festival (yeah I
know they took folk out of the title… those fools). We go to the Florence Home and Garden Show… mainly because the
station produces it and I do a live remote during the weekend. We always go to the Classic Car Show n Shine
(though not together – because, I am working it) and KCST’s Classic Car Cruise
during Rhody. The Reedsport Chainsaw
Carving Championships (a personal fav).
There are other things we
could be doing: The Power of Florence
(a day the community gives back) Roger is usually working up on my
mother’s property at that point. But
me, not as much. So where am I going
with this? My friend Susan this kewl wine and painting thing and thought, “Wow,
I’d do that!” So I did.
Last night, Leigh (my best
friend next to Roger) and I went to Wallflowers and Wine... I guess the name of
the post kind of gave that away. My
friend Jennifer helped put it together for the Friends of the Florence Events
Center (yes the same group sponsoring Dancing with Sea Lions.) Wallflowers and Wine was led by Florence
artist John Leasure, a man with a greater sense of humor than I realized.
Step by step he lead
twenty of us (nineteen diverse women - at least two were professional painters
- and one man) through the creation of Sunflowers. Now while I have a linage
that boast a few good artists, I was terrified I’d shame my grandfather, great
grandmother and Joshua Reynolds. Darn,
look at me, I name dropped. But the
reality is I am really happy with my creation and not quite the embarrassment I
expected.
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He kept saying we needed
to “muddy” up the middle. NO NO
NO. I was loving my bush strokes. And bloppp his brush was in the middle of my
canvas mudding my beautiful sweeps of blue… Into yes a truly muddy mess. Leigh’s brush was deteriorating and leaving
hairs on her canvas. Mine was not as bad, but still there is more texture than
I thought there would be, but not necessarily the texture I was going for. All the while he “muddy” into my red, the
beautiful blue sweeping brush strokes that were dyyyyying like the
Wicked Witch of the North.
Why he kept insisting it
was the hard part was beyond me. We
painted on our flower centers and then our stems. In hindsight I wish I would have painted my stems and then our centers,
but still it was good.
Then the hard part started…
the leaves and the petals. Now I wasn’t
happy with my leaves. He made us create
a wide vee off the stem, then cap each with an upside down vee, followed with a
line pained through them. At the bottom
of the first vee we were instructed to take our brush and “start wiggling back
and forth”, was followed by my jiggling, and hell why not a little piggling our
brushes back and forth in a small manner coloring in the bottom side of the
leaf. Then again but on the topside of the leaf. This was interesting and REALLY FUCKING HARD TO DO. Can I please go back to sweeping strokes on
my background? Please?
Leaves done… oh no never
never... mine are unsatisfactory at best.
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Nope, I was still trying
to fix my leaves.
And do you know how hard
it is to sign your name?
I can’t wait until the
next Wallflowers and Wine.
Sith,
Cele
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